Bibliography of writings on Chinese music
- Other parts of Asia, and Pacific (selection) -
BARWICK, Linda et al - The Essence of Singing and the Substance of Song: Recentr Responses to the Aboriginal Performing Arts and Other Essays in Honour of Catherine Ellis. Univ. of Sydney, 1995, 269 pp.
CATLIN, Amy - 'Puzzling the Text:Thought-Songs, Secret Languages and Archaic Tones in Hmong Music.' (Thailand).The World of Music, Bamberg, 1997, 2, pp.69-82.
COALDRAKE, A. Kimi - Women's Gidayu and the Japanese Theatre Tradition. Routledge, New York, 1996, xxix + 262 pp., 1 CD.
CROWE, Peter - 'Music in Vanuatu.' In: J. Bonnemaison et al (ed) - Arts of Vanuatu. Univ. of Hawaii Press, Honolulu, 1996, pp. 145-149, 154-157.
FERRANTI, Hugh de - 'License to Laugh: Humour in the Practice of 'biwa' Recitation in Rural Hyushu.' Musicology Australia 19, 1996, pp. 3-15.
HERBST, Edward - Voices in Bali: Energies and Perceptions in Vocal Music and Dance Theater. Hanover, NH, Univ. Press of New England, USA, xxvii, 198 pp. Reviewed by M. Tenzer, Ethnomusicology, 43/1, 1999, pp.181-186.
HODGKINSON, Tim - 'Siberian Shamanism and Improvised Music.' Contemporary Music Review 14, 1/2, 1996, pp.59-66.
HOLLAND, Dorothy C. and Debra G. Skinner - 'Contested Ritual, Contested Feminities: (Re)forming Self and Society in a Nepali Women's Festival.' American Ethnologist 22 (2), 1995, pp. 279-305.
HOWARD, Keith - 'Different Spheres: Perceptions of Traditional Music and Western Music in Korea.' The World of Music, Bamberg, 1997, 2, pp.61-68.
KEISTER, Jay D. - 'Japanese Mi-Kagura Ritual as Embodied Performance.' Pacific Review of Ethnomusicology 7, 1995, pp. 17-29.
LANCASHIRE, Terence - 'For gods or men: changing faces of Iwami kagura', CHIME Nos. 10-11, 1997 (publ. March 1999), pp. 157-171.
LANCASHIRE, Terence - 'Music for the Gods: Musical Transmision and Change in Iwami Kagura.' Asian Music 29 (1), 1997, pp. 87-123.
LEE, Tong Soon - 'Technology and the Production of Islamic Space: The Call to Prayer in Singapore.' Ethnomusicology Vol.43 no.1, 1999, pp. 86-100.
POON, Chua-Soo - 'Chinese Thatre Dance in Malacca: Response to the Changing Social Environment.' Dance Studies 18, 1994, pp. 113-128.
PROVINE, Robert C. - 'State Sacrificial Music and Korean Identity.' In: Yung et al (eds.) - Harmony and Counterpoint - Ritual Music in Chinese Context, Stanford UP, 1996, pp. 54-75.
SASAMORI, Takefusa - 'Therapeutic Rituals Performed by Itako (Japanese Blind Female Shamans).' The World of Music, Bamberg, 1997, 1, pp.85-96.
SEYAMA, Toru - 'The Re-contextualisation of the Shakuhachi (Syakuhati) and its Music from Traditional/Classical into Modern/Popular.' The World of Music, Bamberg, 1998, 2, pp.85-106.
SONG, Bang-Song - 'Korean Music and the Silk Road.' In Festschrift zum 60. Geburtstag von Wolfgang Suppan, ed. Bernhard Habla, Hans Schneider, Tutzing, 1993, pp. 185-195.
YANO, Christine - 'The Floating World of Karaoke in Japan.' Popular Music and Society 20 (2), 1996, pp. 1-17.
YANO, Christine - 'Charisma's Realm: Fandom in Japan.' Ethnology 36 (4), 1997, pp. 335-349.
YUKIKO Sawabe - 'Modern Japanese Composers: Historical Developments and Current Observations.' In: C. T.Kimberlin and A.Euba (eds) - Intercultural Music, Vol.1, 1995, pp.69-76, Bayreuth.
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