Michèl Koenders: 
“.....even more captivating was the contribution of Michèl Koenders (1961) in T.M.R. for cello, piano and computer, an incomplete study into the dissipation of silence as demonstrated by title of the second part: slippery ice and thin air What one expects in such a confrontation with young composers happened: the production of as yet “unheard” sounds.....”